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We acknowledge the traditional owners of this land, the Boon wurrung people, a part of the Kulin nation, and we pay our respect to their ancestors and their elders.
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Home > About Us > History Art Architecture

 

The Land of the Boon wurrung 

European Settlement

Pioneering Days

The Early Church

Later Additions

The Churches Today

 

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 The Land of the Boon wurrung

Pt_Nepean_Bay_and_OceanRye and Sorrento have been part of the land of the Boon wurrung people for many thousands of years. The Boon wurrung are now acknowledged as the traditional owners of this land.

Information about their beliefs, way of life and interaction with the early European settlers can be found at the Nepean Historical Society in Melbourne Road Sorrento and the Collins Settlement Information Centre on Point Nepean Road (approx 500m past Hughes Rd. Melway 157: F10) 

“Boon wurrung – People of the Port Philip District” and other informative books by author and local resident Richard Cotter are available from the Nepean Historical Society.

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European Settlement

Sorrento is the site of the first European settlement in Victoria.Lady_Nelson_Replica

In 1802 the Lady Nelson under the command of John Murray was sent from Sydney to explore Port Philip Bay as a potential place for settlement.

In 1803 the Calcutta and the supply ship Ocean were sent from Portsmouth England under the command of Lieutenant-Governor David Collins. They arrived at Sullivan Bay Sorrento on 9th October 1803.


The party, which included some women and children, comprised 300 convicts, with marines, officials, a few free settlers and the Reverend Robert Knopwood who conducted the first church service on 23rd October 1803 when the reading of Psalm 139 must have been particularly meaningful.

“If I take the wings of the morning and dwell in the uttermost parts of the sea,

even there thy hand shall lead me”.

The settlement was shortlived and by the end of May 1804 had been relocated to the Derwent River in Tasmania. Some graves remain at the site which is marked by a monument and the Collins Settlement Information Centre on Point Nepean Road (approx 500m past Hughes Rd. Melway 157: F10).

William Buckley -William_Buckley_with_Aborigines the escaped convict has become legendary. He followed the shoreline until arriving at Point Lonsdale he saw the ships opposite and realised he had circled Port Philip Bay. He lived with Aborigines until Europeans returned to found the settlement of Melbourne on the Yarra River in 1835. He is said to be the origin of the expression “Buckley’s chance”.

John Pascoe Fawkner - the 11 year old son of a Collins Settlement convict also became legendary returning from Tasmania to become one of the founders of Melbourne.

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Pioneering Days

SteamboatMelbourne was established in 1835 and as it grew, especially after the discovery of gold in 1851, lime was needed for an ambitious building program. Limestone was plentiful in the Nepean district, and so quarrying it, burning it in wood-fired kilns and shipping the resulting lime to Melbourne became the first industry of Rye and Sorrento.

From the 1870s onward, due largely to the efforts of parliamentarian and entrepreneur George Coppin, Sorrento gained a reputation as a tourist destination for citizens of Melbourne arriving on excursion steamers to enjoy the cooler summer climate, and was also regarded as a healthy place for rest cures. It was Coppin who proposed the name of Sorrento. The Nepean Historical Society has a wealth of information about this era.

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The Early ChurchHistoric_Signpost

The Anglican Parish of Sorrento and Rye began as part of the Parochial District of Mornington and was originally under the patronage of the Church of England Diocese of Melbourne and the Presbyterian Pastoral Aid Society.

More information is provided in "On Eagles Wings A History of the Anglican Parish of Sorrento-Rye" compiled by David Wood. Copies are available at both churches. 

Circa 1855               Early services in Sorrento were conducted in the school house by the schoolmaster Josiah Hiskens.

In Rye services were first held in the original church schoolhouse which was part limestone part wattle and daub and was used by most denominations.

1872                       Bishop Perry, first bishop of Melbourne, made Sorrento and Rye part of the Mornington Readers District, and in 1873 appointed Thomas Quinton as Lay Reader for the Southern Peninsula area under the Vicar of Mornington.

Later that year John Bracebridge Wilson, headmaster of Geelong Grammar School, who had a summer house at Sorrento, made a gift of part of his land to the Diocese of Melbourne, and began raising money to build a church for the benefit of Sorrento’s “quarrymen and other labourers”.St_J__s_Window_Done_What_She_Could

1875                        The nave of the church in Sorrento was completed and regular services began on 10 January. There is no known architect, but the builder of the nave was George Morce who used local limestone.

 The church schoolhouse at Rye was condemned. It was later demolished and plans made for a new church.

1882                        The small church at Rye was completed using limestone from the schoolhouse plus additional local stone quarried and donated by James Truman. It consisted of a nave and small chancel and for 10 years was also used by the Presbyterians.

1886                       The Reverend Arthur Pelham Chase was inducted as the first vicar of the parochial district of Sorrento, which included Dromana, Rosebud, Rye, Boneo, Flinders and Portsea. It was not until 1949 that the current Parish of Sorrento – Rye was defined as extending from Point Nepean to Truemans Road.

1889                        The transept of St John’s Sorrento was completed by George Morce

1901                        Now debt free the church of St Andrew Rye was consecrated on 15th March by the Bishop of Melbourne, Rt Reverend Field Thomas Goe

1903                        Also now debt free the church of St John Sorrento was consecrated on 16th April by Rt Reverend Lowther Clarke, third Bishop of Melbourne, who travelled down on the steamship Hygea to conduct the ceremony.

1911                        The chancel and sanctuary were added to St John’s Church by William Croad and paid for by the sale of some of the church land.

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Later Additions

In 1973 the fellowship room was built adjoining St John’s church. A new vicarage was constructed on the site of St John’s old hall.scan0012

The hall at St Andrew’s Rye was constructed in 1976 to be used as a worship centre at Christmas and Easter until extensions to the small church could be agreed to by parishioners, local residents and historical societies. The extensions were completed in 1981 and created a new worship environment. All now gathered around the altar, priest and people together. Care was taken to preserve the historic church as an important part of the building.

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The Churches TodaySt_J__s_up_path



St John’s Church is classified by the National Trust of Victoria 

The original section of St Andrew’s Church is classified by the National Trust of Victoria as of historical interest and worthy of preservation.

Special Features of St John’s Sorrento

St_J__s_Sanctuary 


Martyr__s_Chapel
 

 

 

 

 

 

Several sculptures carved by Eva Schubert in the 1980s:

The BAPTISM OF JESUS SCULPTURE on the baptistry wall

The PASCAL CANDLESTICK standing by the font (from Easter to Pentecost it stands in the sanctuary)

The CRUCIFIX which hangs over the altar of the 20th Century Martyrs' Chapel, and nearby

The AMNESTY CANDLE dedicated to prisoners of conscience and those whose human rights have been abused

The ANGELS WITH TRUMPETS which support the gradine on the east wall where the altar used to stand


The brass FONT COVER decorated with vine leaves was made in 1983 by John Marshall, a former               churchwarden. It speaks symbolically of our incorporation into Christ, the true vine, through our baptism.

ThSt_J__s_Organe PIPE ORGAN in the south transept, is one of the oldest pipe organs in Australia dating from the 1850s. Its builder is unknown but may have been John Smith of Bristol. Given to St John’s in 1924 in memory of Sarah Ann Langford, it would have come from a great home in England. It is a one-manual and pedal instrument with mechanical action and seven speaking stops.

The PRINCE CONSORT WINDOW is also in this transept. The gift of Queen Victoria in memory of her husband Prince Albert, it was originally intended for Saint Paul’s Church Melbourne. It would not fit Saint Paul’s Cathedral which replaced that church. Canon Chase, the father of our first vicar, arranged for it to be given to Saint John’s in 1886. It is a fine example of nineteenth century stained glass, and depicts the three kings of Judah who did “that which was right in the eyes of the Lord,” David, Hezekiah, and Josiah.

The SANCTUARY LAMP which hangs above the altar is a sign of the eternal presence of God among the people of God. It was given by the Roman Catholic parish of Sorrento to mark the historic visit in 1982 of the pope to Canterbury Cathedral to pray with the archbishop of Canterbury. The lamp features the eagle, the symbol of Saint John, and was designed and made by John Marshall.

The TAPESTRY PEW KNEELERS were individually created by a group of parish needleworkers.

The WAYSIDE CROSS, made of red gum in the form of a celtic cross, was erected in 2002 on the road way in front of the church.

Special Features of St Andrew’s Rye

St_Andrews_Altar 

Window_St_A__s_Apostle_with_Book 

The PIONEER WINDOWS - immediately behind the altar depicting St Peter and St Andrew, these were presented to the church at Easter 1925 by Misses B and M Stenniken to commemorate the pioneers of Rye.

St_A__s_Fish_window St_A__s_Peacock_window

 

 

 

 

 

 

The TWO LARGE WINDOWS which flank the altar are the most striking features of the extended church. These glass murals are the creation of local lead light artist Daryl Buchanan.

The ORIGINAL ALTAR CROSS is now mounted on the prayer desk in the nave. This is a memorial to Mrs Sarah Moat, the first woman to be married at St Andrew’s.

The CHRISTUS REX (Christ the King) suspended above the altar was sculptured by artist Eva Schubert and installed in 1984.

Much of THE FURNITURE in the church now, including the Font, Altar, Pews and Lecturn, is the work of former parishioner John Carl Feldtman(1908-1996).Holy_Family_Carving.jpg

TWO SMALL CROSSES are located in the church. The wooden cross made of wood taken from Canterbury Cathedral, is the gift of Marion Wallace. The bronze cross comes from the catacombs of Rome and is the gift of Rev’d David Wood.

A fine TAPESTRY OF THE LAST SUPPER worked by Lillian Irons hangs above the side exit.

The HOLY FAMILY WOOD CARVING which hangs above the prayer desk was carved by Velislav Georgieu and is on permanent loan to the churchMadonna_and_Child_No_frame.

The MOTHER AND CHILD IKON which faces the altar was a gift from the Community of the Holy Name.

The PAINTING behind the altar is the work of E.R. Hopkins and represents The Tree of Life which has become the symbol of our Parish. Spirituality is the trunk which nurtures the whole. The leaves and branches are the interacting themes of creativity, hospitality and justice. Through them we grow and reach out beyond ourselves to offer welcome, love and life to others.

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